Paper Galleries

Tracey Emin’s landmark exhibition ‘A Second Life’ threw itself into the London Artscape at the end of February. Her ‘Sex and Solitude’ at Palazzo Strozzi in Florence last year left me wanting more. The major retrospective, held at the Tate Modern, spans the entirety of Emin’s career from the late 90s to today and includes paper works, embroidered blankets, bronze sculptures, appropriated objects, neons, video art, and large-scale canvas paintings. I…